The search for Ellen Mary Ann Dunn — Ruth Coupland — Lily Flexmore began some twenty-five years ago.
Ellen’s great-great niece, Ms Karen Wall, had heard the name mentioned by her grandmother, Ms Irene Dunn, who was the daughter of Ellen’s younger brother, George William Dunn. Karen’s grandmother spoke of going to the theatre as a young girl and described her excitement at seeing her auntie Ellen — Lily Flexmore’s — name up in lights. Karen decided to find out all she could about Ellen Dunn.
What was known about Ellen was that she had enjoyed a long career on stage as a dancer, singer and contortionist, later adding comedy to her act. There were some photos of Ellen in costume, posing for promotional pictures, shared with Karen by her relatives, Paul Duffett, Jill Adams and Catherine McBrearty. But nobody knew what became of Ellen. Had she married? When did she pass away? The last reference to her was in March of 1925, in a newspaper article which described her as still performing her signature ‘Toe-In-Mouth’ dance, at the age of forty-six.
Research, at that time, was difficult. Tracing family history required patience, persistence, and a willingness to navigate masses of physical records, scattered archives, and long waiting times. Rather than typing a name into a search bar, Karen needed to engage in a process that felt closer to detective work than data retrieval.
This meant spending a lot of time trawling through pre-digital records in libraries, courthouses, churches, and national archives. These institutions housed vital paper records such as birth certificates, marriage registers, census data, and land deeds. However, finding relevant material was rarely straightforward. Karen began with card catalogues — wooden drawers filled with index cards that pointed to collections of documents. From there, she needed to request access to specific materials, often stored on microfilm or in fragile paper form. Without comprehensive indexing, locating a single name could require hours of careful scanning.
Microfilm and microfiche machines were available, but it was necessary to sit at these machines, manually scrolling through frames of census pages, newspaper archives, or immigration records. The process was tedious and required intense focus; missing a detail could mean starting over. Writing letters to distant archives, churches, or government offices was a routine part of the process — these requests often included small fees and self-addressed stamped envelopes, and responses could take weeks or even months, if they arrived at all.
Although the process was time-consuming and often uncertain, Karen maintains that it offered a unique sense of connection to the past. Handling original documents, visiting ancestral locations, and uncovering stories piece by piece created a tangible link to real history. Each discovery felt significant precisely because it required effort and dedication.
In 2020, I began to research Lily Flexmore for an entirely different reason. A granduncle of mine, Matthew Mooney (1892–1942), married Eva Matilda Knight (1884–1951) in Ireland in 1913. Eva was the daughter of Edward Knight (1860–) and Sophia Gileno (1864–1949), who owned and operated a Travelling Show featuring various stage performers and speciality acts. Eva’s father, Edward Knight, was the son of Thomas Knight (abt. 1820–?), who was known as ‘Flexible Flexmore.’ Eva’s mother, Sophia, performed as an Equestrienne under the name of Marie Flexmore. Given the extensive searching of the Flexmore name, it wasn’t long before I encountered Lily Flexmore. I was immediately fascinated. Was there a connection? Eva was British, born in Atcham, Shrewsbury, so there were possibilities.
A search of the British Newspaper Archives alone revealed well over two thousand instances of promotional material, advertisements and playbills of the Lily Flexmore name between 1898 and 1925. Then there were records of her voyage to New York in December of 1907 with a George Flexmore for a lengthy tour of the United States, followed by a long European tour, with a return to performances in the UK in September of 1908.
I began to build an Ancestry Tree on Ellen Dunn and her family, making it a Public Tree in the hope that others might also be searching and would possibly have more information. I did manage to find a particular photo of Lily Flexmore in a very difficult contortionist pose, and when I added this to her tree, I received a message through the Ancestry system from a Ms Karen Wall in relation to the photo. I was thrilled to find out that Karen is the great-great niece of Ellen Dunn/Lily Flexmore. This began a collaboration between Karen and I in the search for Lily Flexmore.
However, extensive searching yielded nothing further than newspaper publicity up to 1925. We had hit the proverbial genealogical ‘Brick Wall.’ Why had things suddenly come to an apparent halt? This was a woman who was seldom out of newspaper advertisements and theatrical magazines. Had something happened to Ellen? Had she perhaps left the country to pursue her career elsewhere?
When it comes to genealogy, the expression ‘persistence pays’ holds very true. Karen and I maintained our search, until, in November of 2023, I had a breakthrough in the form of a newly digitised record. The record mentioned ‘Baby Girl Flexmore.’ When I opened it, it was a birth certificate which showed that a Lily Flexmore, formerly Dunn, had given birth to a baby girl at an address in Birmingham on 28th July 1899. Lily’s husband was listed as George Ambrose Flexmore, occupation Comedian. The certificate was accompanied by a second one — a Death Certificate for the baby, noting that the infant survived for just one hour following her premature birth.
I was very deeply moved when I learned of this tragic event. My late wife and I had also suffered the loss of a little baby girl very shortly after birth, and my heart went out to Ellen and George.
Nonetheless, this gave me proof positive that Ellen had married, and I now had the Christian names of her husband, and a possible explanation of why Ellen had chosen Flexmore as her professional name. I sent off to the GRO for official copies of the certificates in order to include them in the tree. Further searching revealed that Ellen Mary Ann Dunn had married George Ambrose White in Bethnal Green on 27th February 1899 — one day after Ellen’s twentieth birthday. I was able to follow their lives through census returns, electoral registers, and newspaper archives, and in time to find the dates on which they passed away — George on 26th September 1933, and Ellen just four months later, on 19th January 1934.
I was also able to find the burial registers for the couple. This gave me an approximate location for their last resting place, in a section of Islington & St. Pancras Cemetery. I then contacted Karen with the news. I put together as much information as possible in the form of a life-story in a single document and sent it on to her.
In December of 2023, Karen and her family embarked on a search of the Islington & St. Pancras Cemetery. It was an extraordinarily difficult search, since nature had spent almost ninety years reclaiming the area. But, in a moment of glorious triumph, they found the grave. It was in remarkably good condition, but the names had been almost totally concealed by a build-up of earth around the base of the stone. Only the name Ambrose was partially visible — but that was all it took for Karen and her family to uncover the full names of Ellen and George, along with the annotation: ‘Re-united.’
The stone is in the form of a tall cross, with a garland of ivy. There is also a descending dove on the cross, which is said to represent the Holy Spirit descending, often signifying that the deceased was a person of faith or that the Spirit is bringing peace to the scene.
I have now visited the grave three times — the last time in January of 2025, along with Karen and her cousin, Paul Duffett, whose great-great-uncle was Ellen’s older brother, John Joseph Dunn (1876–1946). Paul placed a lovely image of Lily Flexmore in professional pose on the grave. I placed some illustrated slates depicting Ellen and George.
Although the search for Lily Flexmore resulted in a successful outcome, we still continue to seek out newly digitised information. For example, there is a tantalising advertisement, from the Music Hall and Theatre Review — Friday, 25th March 1898 — citing upcoming performances by Lily in Russia.
An advertisement inserted by a Travel Agent, Paul Tausig & Son, printed in Variety Magazine (Vol. 41, Issue 7, Page 32) on 14th January 1916, used the name Lily Flexmore — in a list of celebrities who had used their services — as an endorsement of the company’s steamship booking services. This was eight years after Ellen’s USA tour and may be an indication that Ellen returned to the USA. Coincidentally, there are two extended periods, from late 1915 through to March 1916 and from May 1916 to November 1916, where no UK appearances are advertised.
We will continue to search.